Ghost Foundry

Saxoléine

Artist

Jules Chéret

1836–1932. Lithographer, poster artist. Born in Paris.

Chéret was apprenticed to a lithographer at thirteen. He spent the early 1860s in London designing labels and book covers, then returned to Paris in 1866 and opened his own lithographic press.

Working directly on the stone, he drew image and lettering together in a few flat colours. His posters filled Paris walls for three decades and earned him the label “father of the modern poster”. His lettering is loose, condensed and confident, made to be read across a boulevard.

All posters by Jules Chéret

Poster by Jules Chéret. A woman in yellow holds a red-shaded lamp. Below, Saxoléine in dark serif title case and Pétrole de sûreté in red capitals.
Saxoléine. Pétrole de sûreté
Artist
Jules Chéret
Year
1895
Era
Belle Époque
Country
France
Lettering
Serif, Display
Printer
Chaix, Atelier Chéret, Paris
Held by
Bibliothèque nationale de France
Record
Gallica btv1b9015291n
Scan
Wikimedia Commons
Rights
Public domain

Fonts on this poster

Fonts

Lamp Title

Saxoléine in dark serif title case

Lettering as it appears on the poster.

Letters from the poster

Hover, focus or tap a letter for a closer look.

Full typeface

The full alphabet. Letters from the poster stay as they are. The rest are drawn to match them: same shapes, same spacing, same feel.

Capitals
Lowercase

Lettering style

Download

Type specimen

Safety Capitals

PÉTROLE DE SURETÉ in red capitals

Lettering as it appears on the poster.

Letters from the poster

Hover, focus or tap a letter for a closer look.

Full typeface

The full alphabet. Letters from the poster stay as they are. The rest are drawn to match them: same shapes, same spacing, same feel.

Lettering style

Download

Type specimen

History

Saxoléine was a lamp oil sold as safe and deodorised. Chéret’s sheet puts the product claim under one of his Cherettes holding a lamp.

The title is a mixed-case serif with a distinctive x. The red line is straight capitals for the safety claim.

The Bibliothèque nationale de France holds a copy printed by Chaix, Atelier Chéret.

Source and rights

Jules Chéret died in 1932. His work entered the public domain on 1 January 2003. The scan comes from Gallica, the digital library of the BnF.

Scan from Wikimedia Commons, catalogue record Gallica btv1b9015291n. Brand names on the poster belong to their owners and are never used as font names.

Same era, lettering or artist.